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As the ferry set sail from
Portsmouth on that autumn morning, south coast Britain was bathed in
warm sunshine. The
torrential rain and chilling mist that we encountered shortly after
leaving territorial waters meant that we couldn’t actually see
Cherbourg until the boat bounced off the harbour wall. Were we down-hearted? Well,
to be perfectly honest, yes we were! But having been regular visitors to that part of France for
many years, we had long since learned that its weather was, to say
the least, unpredictable and it was quite likely that within an hour
or so, the sun could be out cracking the pavements. This, perhaps, is the optimism of a true Francophile!
We had four hours to drive the
forty miles or so to the house we had rented for the week in the
middle of the peninsula near to the splendid city of Coutances. We therefore decided to make our way sedately via
Sainte-Mere-Eglise, a small town near the east coast D-Day Beaches
which we had sped through so many times on the way back to the ferry
and had promised ourselves a leisurely visit as soon as the
opportunity arose. Apart
from being charming, sleepy and typical of Normandy, Sainte-Mere-Eglise
was the first town to be liberated during the D-Day Invasion when US
paratroopers dropped in, as glorified in the film epic “The
Longest Day”.
By the time we arrived, the rain
had subsided into mere penetrating drizzle, but the wind was
unrelenting. We parked
in the town’s main market square, next to the 14th century church,
where a model parachutist hangs from the spire in honour of John
Steele whose parachute became entangled on the night of the
invasion.
The famous rain-soaked parachute
flapped in the wind against the gloomy grey sky and the dangling,
uniformed mannequin looked decidedly battered and bruised having
endured some 50-odd years of aimless hanging around.
Within a few minutes of leaving
the warmth of the car, we were cold and wet and desperately in need
of shelter from the miserable conditions. From the church we could hear the amplified monotone chant of
a priest and as we entered the building through a side door, we
realised that we had gate-crashed a wedding. A very strange affair it was too. Although the priest was in full flow, oblivious to everything
around him, the bride and groom and their handful of guests were
chatting and walking around the church as if they were in a motorway
services cafeteria.
The congregation was made up of
two distinct factions - local elderly French folk who, by all
accounts, had proudly swapped their farm overalls for their Sunday
best outfits which last had an airing at about the same time as the
parachutist landed on the roof, and a handful of gum-chewing
American uniformed service personnel.
The bride, obviously of local
peasant stock, was stunning in her disgracefully low-cut, off-the-shoulder white frock
which, because of her pleasing shape, had no chance of slipping down
further. For no
particular logical reason, I decided that she would have suited the
name Mimi. The groom was in his drab military dress uniform,
identifying him as a low-rank Yank. My own opinion was that he had
made a far better catch than his glamorous bride. He was likely to be a Wayne who had impressed Mimi with his
dollars rather than his sense.
The rather bizarre and
unstructured ceremony seemed to fizzle out through lack of interest. And at a pre-determined point in the proceedings, the
organist struck up with a medley of the traditional wedding march,
the Marseillaise and the Star Spangled Banner. A rather peculiar mixture in such ancient and hallowed
surroundings. I half
expected to hear a random selection from Gigi and Oklahoma, just to
reinforce the Franco-Yanko flavour of the occasion.
Once the couple had started
their walk along the aisle towards the main door of the church, we
nipped out of the side entrance, back into the wind and rain, in
order to watch the happy couple emerge and go under the rather
pathetic guard-of-honour archway of military swords - all four of
them!
On the steps of the church, the
couple then consummated their marriage in what is obviously an age-old French tradition. They kissed and whilst doing so transferred a piece of
pre-masticated chewing gum from mouth to mouth. The American audience gave a loud cheer. The French looked totally bemused. And the several British spectators vomited.
Whilst the French contingent
wrestled with their Box Brownies to record the happy event, the
Dirty Dozen unloaded enough video and lighting equipment from a US
Army Jeep for a re-make of The Battle Of The Bulge. However, if I had known at that point exactly what was going
to happen during the next 20 minutes, then I might have considered
hiring in a film-crew myself!
After the traditional and
obligatory group wedding photographs - Mama et Papa avec Wayne and
Dwight; the vertically-challenged priest between the bride and
groom, with his holy nose less than half an inch from Mimi’s
glorious cleavage - a horse-box drew up in front of the church. The
driver lowered the tail-gate and led out a huge white, pre-saddled
thoroughbred.
The apprehensive creature was
led reluctantly to the church steps where another bout of camera
flashes and video lights added to his unease and confusion. Speculation grew. Were
the bride and groom going to mount the horse (so to speak) and ride
off triumphantly into the metaphoric sunset, in true John Wayne
style?
The weather, meanwhile, was
showing no deference to the occasion. By now, it was not only the gawping multitudes who were cold,
wet and windswept; the bride herself was beginning to lose her
virginal bloom. And the horse was thoroughly hacked off with the whole
affair.
With a leg up from her new
husband, Mimi then attempted to mount her steed. But the steed made it pretty obvious that he was having none
of it. On the sixth
attempt, with half the American army grabbing on to the poor
creature so it could not move in any direction, Mimi finally made it
and was applauded by the dripping crowd - more, I think, for the
glimpse of her stocking tops rather than her equine achievement.
The back of her dress was
carefully draped over the horse’s rear end in elegant dressage
style, and with Wayne standing to attention next to the steed’s
head, cameras again started clicking and flashes flashing. This was the final straw for the distraught creature which,
to register its contempt, suddenly bucked and, in a determined
effort to unseat his rider, bolted.
For Mimi, this was probably the
most exacting test of her horsemanship skills she had ever
experienced. Whilst the
spectators sped the scene in fear of being kicked or charged, the
frantic girl clung on to the horse’s neck with all her might. Undoubtedly, any lesser a rider would have been thrown and,
most likely, severely injured.
The rain was still lashing down
and the wind still blowing. And
as Mimi lay almost flat whilst clinging on to the animal, a sudden
gust caught her dress which blew over both her head and the
horse’s head.
Unfortunately that morning -
obviously due to last-minute nerves and a million and one other
things to think about - poor Mimi had totally forgotten to put on
any knickers. For a
full three minutes and three thousand camera flashes, Mimi - with
bare bum higher than her head - was unwillingly carried around the
market square by her uncaring mount until, eventually, the full
regiment captured the frightened creature and pinned it down long
enough for the blushing bride to dismount and reprivatise her
assets.
The proud mother of the bride,
decked out in all her finery, soon had her daughter looking
respectable again, with Mimi’s frock discreetly covering up the
parts of her which were really intended for the groom’s eyes only.
After everyone had composed
themselves in the wake if this unexpected and spectacular
culmination to the nuptials, the groom joined Mimi in the back of an
open-top Jeep which took them off to the reception. The horse was led off, probably to join distant relatives in
the window of the local boucherie.
We knew that Sainte-Mere-Eglise
would prove to be cultural. And,
incidentally, if anyone should be wondering, Mimi was a natural
brunette...
Copyright: Peter G. Clayton 1999 |